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Tuesday, October 13, 2026
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Ballet Star Matthew Ball on Grueling Parts and Social Media Attention: 'I Don't Feel Protective About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally straight-backed, his arms defined beneath a plain white T-shirt. During performances, dancers can appear as mighty gods, yet frequently in person they are small. Not so Ball, whose tall stature is one reason for his demand for heroic characters and partnering. With delicate traits and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he encountered minimal teasing for his early passion in ballet. Entering the Royal Ballet School at 11, he graduated directly into the company and was advanced each year, attaining the highest position of principal in 2018. He has loved taking on meaty dramatic roles, particularly the emotional angst found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming featured appearance is as himself, in an "In Conversation" series designed to offer intimate perspectives into a dancer's craft. He will guide the crowd through a role, showing his mental workflow while execution. Yet in more comedic ballets, the test is profound. "Don Quixote is one of the most demanding technically," he states.

The Mental Game and After the Show Feelings

How does he feel after a show, when he has succeeded? "It's pretty good," he says. "But because I'm trying to extract all the juice out of it, and get immersed in the character, quite often I do feel self-conscious later. After an intense role I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Does this exist? "I am very active in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Early Drivers and Artistic Influences

His tenacity stemmed from early experiences. Not excelling in competitions at school made him "driven!" This became motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

The next challenge is making his own dance works. In his view, "organic movement has value." "Breaking the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing inspiration from literature, music, and painting.

Intimate Dance and Private Partnership

He also favors staging dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Perception

On Instagram, followers can see clips from his projects and images that showcase a athletic form. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on multiple ways.

Ball describes his younger self as "eager for success." Has it lived up to his hopes? "I am conscious of how life is a different thing to the dreams you made as a young person," he reflects. He likely has about ten years of performing left. "I suppose in the time to come, I want to be a bit more kind with myself."

LS
By

Lisa Sandoval

Lead game designer and narrative writer at Harvest Games, passionate about creating immersive storytelling experiences in indie games.

Harvest Games

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